Boshonto Family

this thread is to discuss the unusual aspects of using camera, screenplay and all the technical stuffs of movies that we saw.


for starter i would like to refer to Godfather(part 1)


bhalo kore kheyal korle dekha jabe je jokhoni marlon brando kinba shesher dikey al pacino jokhoni kono decision dichche (as godfather of the family) tokhoni tara ektu chchayay dhaka porchchey. now thats what i call using shadow. karon mario puzo er boi ba according to the screenplay the godfathers are sort of shadowy charrecters. arekta jinish kheyal kora jay ta holo jokhon marlon brando ar al pacino ek shathe thake (before marlon brando got shot) tokhoni marlon brando thake focus point ey. mane camerta lock kora hoy tar dikey ar pacino er framing ta ektu side ghesha. which gives the audience a clear idea of who is incharge. abar pacino take over korar por jinishta ulta hoye jay. now lets look at the screen play. the most unsual screenplay i would say. karon emon kono dialogue ba scene nai jeta boi te nai. hats off to Coppola.

jei udahorton gulo dilam shegulo beshir bhaag movie tei dekha jayna. shedik theke bolte gele asholei godfather onnanno movie der o godfather.

good thread...
looking 4 sm more interenting posts.

me2

misho vai apne jei jinish gula bollen sei gula amio lokkho korsi..kintu mojar bepar hoilo ajker age sei gula nie kokhno vabi nai.....
godfather er ai unusal bepar jeta bollen sei gulo asoleo fascinating.....
amar kase mone hoyese god father er pura film tai akta osadharon film ebong je kono film maker er jonno seta akta standard....
ar boi er proti puro puri sot theke akta cinema toiri kora je koto dussaddho bepar ta ter pai jahan devdas dekhi
bimal roy er devdas ar sanjay lila bansalir devdas deklei differebce ta bojha jae...
coppola ke boss bolte hoe sei dik theke
god father e music er bepartao amar kase darun legese.....
puro godfather er cinematography osadharon
ami ontoto tai mone kori...
khub vebe chinte intelligently je camera use kora hoeyese ta bojha jae......

shurjo dilgho bari holo another fatafati bangla movie.

one thing struck as awe was when the women came back frm Mymensing and started to get onboard a country boat...the way the boatman (who himself is one major cast and son of one major woman cast in the movie) jumped to his boat. very natural and probably took a long practice.


echchara oi eki charrecter er gachchey uthey flag badhar shomoy nich theke camera te jebhabe focus kora hoyechche that was also awsome. kichchuta daan dik gheshey jatey korey puro nera gaachch tai ashe framing er majhe. another thing was unusual about the film was usage of local dialect. oi era er beshir bhag movie e local dialect eriye gechchey. keno ami thik janina. but it made the film more close to day to day ppl at that time.

MASH namey 70s ey ekta serial chchilo. shombhboto TV serial er 1st hit.

sheitar stage ebong outdoor er combination ta dekhar moto. in fact amader ekhono onek kichchui shekhar baaki.